Once you've created a chain of modules, you can wrap them in the Container and assign its macro controls (4, 8, 12 or 16) to parameters within the chain.Įach macro control can be a knob or a button, assignable to up to eight parameters (using a drag-and-drop system like NI's Massive), with adjustable ranges for each. One undeniably great addition in GR5 is the Container module. Guitarists probably won't use this so much, but producers might. GR5 adds sidechain inputs to compressors and some of the Modifiers modules, so a signal other than the guitar being processed can 'drive' the effect for example, a bass drum can dictate when a compressor kicks in. The FilterBank does draw our attention, however, to the absence of a graphic equaliser with, say, 16 or 32 bands, which would be really useful for general tone-shaping. However, Guitar Rig is beloved of many a non-guitarist as a gnarly processor of synths and beats, and we suspect that this and Resochord will strike a particular chord with them. The new FilterBank, an eight-band filter, is aimed at oddball guitar sounds, and it didn't help us much in our quest for a solid soloing tone. It can also be used to fatten up a sound with more pronounced detuning, but we preferred it when used subtly. This spreads the stereo image of a mono guitar to great effect, providing a much wider stereo image. We found the new Stereo Tune effect much more useable. This is due to the impact of unwanted artifacts, in the form of unusual 'whistles', tending to creep in. The Resochord harmoniser is a little lacking, not quite having the desired effect when processing notes to sound like chords. We found it excellent, with the short plate, churches, cathedrals and big halls all sounding lush and highly useable, particularly on clean and country tones.Īdded to this is the Vintage Verb effect, as well as a new classic compressor model, Fast Comp, both also very high quality. This offers eight impulse responses, all with decay and lowcut control. Acting on impulseĬonvolution reverb is now on Guitar Rig's effects menu, courtesy of the Little Reflektor.
#Guitar rig 5 presets pro
Incidentally, Control Room Pro uses RedWirez impulse responses, which are some of the best we've tried, and having them accessible via such a friendly, flexible interface only enhances their usability. By blending tones from differing cabs and mics, we could sculpt the overall timbre of the rhythm guitar tone, so that it would 'sit' in the mix most effectively, manipulating the timbre so that our guitars were not masking any of the other instruments frequency-wise. We would first dial in the desired amount of gain and general frequency content using the amp sims.įrom that point on, Control Room Pro became invaluable.
#Guitar rig 5 presets full
We found Control Room Pro really useful when using Guitar Rig 5 during the mix stage of a full production. You can balance these eight (often vastly differing) sounds as you see fit via the module's mixer pane, with pan, level, solo and mute controls. The mic selection was fixed, but expanding upon the concept is Control Room Pro, where you can choose cab, mic and mic position per channel, fade in a room mic and flip the phase, which can be a powerful tone-altering trick. Guitar Rig Pro 4 introduced Control Room, an eight-channel array of virtual cabs/mics that you could mix to create custom tones. In terms of its amp tones in general, Guitar Rig 5 Pro sounds very good, but it does fall slightly short when it comes to absolute authenticity, responsiveness and real-deal feel you'd get from a great valve amp/cab, which some other products pull off better. GR5 has one up on most amp sims due to its Control Room Pro cab/mic system, which can be most useful in teasing just the right response from those palm-muted chugs. This is an emulation of the Ibanez Tube Screamer, which is often used in the real world to tighten the bottom end up in the same way. However, this was quickly cured by inserting Guitar Rig's Skreamer overdrive unit before the amp. By running the same drop-tuned, DI'ed guitar parts through both pieces of software, there was no doubt that the Peavey version could achieve tighter note definition and greater clarity out of the box - GR5 was slightly muddy in comparison. Speaking of which, we took the opportunity to compare the 5150 emulations of Guitar Rig 5 Pro and Peavey's ReValver.
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